
CHAMBER (vocal)
AN LON DUBH (THE BLACKBIRD)
Instrumentation:
sop, fl, cl (doubling bass), pf, vln, vla, vc
Duration:
5'
First Performance:
20 October 2005, New College Antechapel, Oxford - as part of 2005 Oxford Lieder Festival. Sequenza, conducted by Dominic Grier, with Nina Bennett, soprano.
Score and parts here.
Programme note:
An Lon Dubh Blackbird An Lone Duv (vaguely phoenetic spelling)
Int én bec The wee bird Ind ayn beg
ro léic feit has let out a whistle ro layg fed
do rind guip from the point of a beak do rinth goob
glanbuidi; bright yellow; glanvoothi
fo-cheird faíd it sends out a call fo kherth foith
os Loch Laíg above Loch Laig os Loch Laig
lon do chraíb a blackbird from a branch lon do khroiv
charnbuidi. yellow-heaped. kharnvoothi(kh from the back of the throat, like Scottish ‘Loch’ - translation by David Greene and Frank O'Connor)
This ninth-century poem is written in Old Irish, the parent language from which Scottish, Manx and Irish Gaelic all emerged. Since then, the passage of time has transformed language and music, but the image of the natural world in this poem remains powerfully evocative.
I chose to set both the Old Irish text and an English translation in order to highlight the simultaneity in the poem of both a foreign past and familiar present. The Gaelic words suggested to me the simple lines of folksong, whereas the translation is set to a declamatory recitative. In contrast, the instruments tend towards an energetic, dance-like, unison material. Stark juxtapositions and combinations of vocal and instrumental musics make a structure that is deliberately clear-cut and audible; the song ends with violin and viola trading bird calls above the soprano’s final phrase.
