Since the start of the year, I have been working alongside the poet Frances Leviston to create a new piece combining words and music responding to the fascinating ideas coming out of the Horizon2020-funded PETMEM project.  The first fruits of this will be performed on 15th October at the Wellcome Collection as part of their Why Music? festival, and broadcast live on BBC Radio 3.  The piece features harmonics and microtones and glissandi, partly because I like those things, and partly because they offer interesting ways to respond to some of the concepts at play in the PETMEM project.  Memories and material under pressure and changing states of conductivity.  Schubert is loitering in the background (and sometimes in the foreground).